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At different points in a choreographer's career, one discovers how they create best; what works for them and what doesn't; in terms of the creative process. When one is just starting out, the ways in which we use trial and …
One of my biggest pet peeves as a dance teacher is when I see students go "half-at" things; particularly dancers with talent and facility. I often sit back and think to myself, did I ever give off this kind of …
Studio directors, that time of year is quickly approaching and recital season is in the air. Here is my handy checklist and timeline to help you stay organized in the weeks ahead. Stay ahead of the game and on target …
In our previous blog article we looked at some basic concepts towards building a choreography-composition curriculum that supplies students with a strong foundation regarding initial design components. Once they have mastered the concepts including:_ motivations & clarity, musical component, space …
As dance teachers and artists, we are our own worst critics. We scrutinize every detail and go over things with a fine-tooth comb every day we're in the studio. Why? Dancers aim for perfection. It is a lofty, unobtainable goal, …
When we head into competition season we are usually engulfed in setting pieces, rehearsing, ordering costumes and perfecting every last detail so that it is show ready. We spend countless months coming up with concepts for our dances, organizing schedules …
Can you believe we're already nearing the end of March? We are quickly moving towards the end of what is hopefully turning out to be your best year yet and it's time to start turning attention to the summer season! …
As a studio owner, there are challenges in and of itself when dealing with other dance studios who are in close proximity to yours. There is constant competition in gaining business, losing business, staying relevant, keeping on the pulse of …
Assessment is always a hot-button issue regarding education. It's particularly a tender subject when dealing with paying customers, but what happens should you choose to administer teacher evaluations amongst your faculty as well? This can also create a bit of …
.Welcome back! In our last blog article on the topic, we began to look at the breakdown of a great center-warm up for your preteen musical theatre dancers which will start to prepare them for across the floor, center combinations …
Studio owners, how often do you and your staff/faculty partake in weekly, bi- monthly or monthly staff meetings? Do you have a regimented protocol to keep abreast of the things currently going on at the studio and projections as such? …
Studio Directors, is faculty selection of music a constant stress? Do you have to approve all music choices because teachers choose the same music or inappropriate content, music that does not match your recital theme, dated and overdone songs, etc.? …
Studio owners, if you've given thought to bringing in master classes, workshops or guest choreographers for your students, this can be a wonderful experience for a number of reasons. While the faculty you hand select should be a group of …
Teachers are human. We are indeed the ones our dancers look to for training, motivation, discipline, artistic inspiration and guidance, but indeed at the end of the day we are human. We are not immune to creative blocks, bad days, …
Improvisation is still one of those areas of dance which mystifies some studio dance teachers and terrifies dance students (mainly older students.) Most of the time you'll get an, "I love improv" or an "I hate improv" from the crowd …
It's always inspirational as choreographers to walk into rehearsal and feel confident you have dancers who are both technically and artistically mature enough to handle the material you are about to give them. What excites us more is having those …
