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WHERE DANCERS NEED MORE STRENGTH — NOT MORE STRETCHING

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In dance, flexibility usually gets the attention first.

Higher extensions, deeper backbends, oversplits — dancers are constantly encouraged to lengthen, stretch, and increase range of motion. But what often gets overlooked is the thing that actually supports all of that movement safely: strength.

A lot of the instability dancers struggle with doesn’t come from lack of flexibility. It comes from weakness in the smaller support muscles that control movement, balance, alignment, and recovery.

The strongest dancers are not always the most flexible people in the room. They’re usually the dancers who can control their flexibility.

One of the biggest areas dancers need more strength is the core — and not just for abs. A strong core stabilizes turns, protects the lower back, improves posture, and helps dancers transfer energy efficiently through movement. When core strength is weak, compensation starts showing up everywhere else.

Glutes are another commonly overlooked area. Many dancers are naturally flexible through the hips but lack the strength needed to stabilize them. Weak glutes can affect turnout, balance, jumps, and landing mechanics, while also placing extra stress on knees and lower backs.

Ankles and feet also deserve far more attention in dance training. Dancers ask an incredible amount from these joints, yet many only focus on stretching and pointing the feet rather than strengthening them. Controlled rises, resistance-band work, and balance exercises can improve stability while helping prevent common overuse injuries.

Upper back strength is another area that quietly impacts technique. Dancers with weak upper backs often struggle to maintain posture, sustain arm placement, or support extensions without tension creeping into the neck and shoulders. Strengthening the muscles around the shoulder blades creates more control and freedom throughout the upper body.

Hamstrings are another misunderstood area. Flexible hamstrings are useful, but without strength, dancers often struggle to control leg height and transitions. Active flexibility — where the dancer can hold and sustain movement — matters far more than passive range alone.

And then there’s hip stability.

Many dancers have mobility in the hips but lack the strength to support repetitive turnout, extensions, and directional changes safely. That instability often shows up as wobbling balances, collapsing alignment, or discomfort during demanding choreography.

The good news is that strength training for dancers doesn’t need to look extreme. It’s usually the consistent basics that make the biggest difference:

Single-leg balance work

Slow relevés

Resistance-band exercises

Pilates-based core training

Glute activation exercises

Weighted Lunges – Develops balance, stability, and control in traveling movements and jumps.

Controlled lunges and squats

Foot and ankle strengthening drills

The key is control over intensity.

Dancers don’t need to train like bodybuilders. They need strength that supports movement quality, endurance, and injury prevention without sacrificing mobility.

There’s also a mindset shift happening in dance training right now. More teachers are recognizing that flexibility alone is no longer the gold standard. Sustainability matters. Longevity matters. Dancers need bodies that can handle repetition, impact, and demanding schedules without constantly breaking down.

Because at the end of the day, strength is what allows technique to last.

And often, the dancers who stay healthiest the longest are not the ones pushing hardest into stretches — they’re the ones building the support to hold everything together.

 

Good luck!

See you in the dance studio,

Jess

 

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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