I was scrolling through one of the private Facebook Dance Teacher Groups recently, and an anonymous post stopped me in my tracks. 🛑 It read:
“You ever get home from a comp and just feel so defeated? Like your choreo sucks, you let the kids down, you need to find a new job. Just me?”
Reading through the dozens of comments underneath it really got me thinking. The responses were raw and real. There were teachers reminding each other that art is subjective and depends entirely on the three people sitting at the judges' table. There were studio owners admitting they switched to a performance-only model to escape the stress. There was even a teacher who confessed they can win 1st overall and still leave feeling empty.
If you are nursing a competition hangover this week and questioning your life choices, I want you to take a deep breath. Over my 40-plus years in this industry, I’ve had my fair share of those long, quiet car rides home, which somehow manage to catch up with me even when the weekend was an absolute triumph. I guess it’s partly my Type A personality—that relentless drive for perfection makes it entirely too easy to fixate on the one flaw instead of celebrating everything that went right. But before you start second-guessing your talent, I want to share a story with you. It doesn’t take place on a marley floor, but on a dirt diamond.⚾️
When I was a kid playing Little League baseball, we made it to the championship. It was the deciding game of the series. We were in the bottom of the last inning, trailing by exactly one run. There were two outs, and I was standing on second base. The tension was thick. Our batter stepped up and smacked a hit into the outfield. I took off sprinting. I rounded third, heading straight for home plate, ready to tie the game.
I slid in... and I was thrown out at home plate. ❌
Game over. Series over.
At that moment, the disappointment was absolutely crushing. I felt like I had let everyone down. But looking back now, I can honestly say that getting thrown out was one of the most important, character-building moments of my entire life.
I tell this story because whether you are wearing baseball cleats or tap shoes, competition is a microcosm of life. There will be incredible peaks and deep valleys. But one game, one dance routine, or one weekend of competition does not define you or what you are. How we respond to those valleys dictates who we become, and it is exactly what makes us stronger.
Here are three truths you need to lean into before your next class: 👇
🚀1. It is Just a Stepping Stone
As one of the commenters in that Facebook thread wisely pointed out, sometimes you take the judges' feedback, tweak the routine, and come back to win the highest adjudication at the very next event. A competition is not a final destination; it’s a single snapshot in a much longer, beautiful journey of education. The stage is just an extension of your classroom. When we zoom out and look at the big picture, a rough weekend isn't a roadblock—it's simply a stepping stone that provides the traction needed for the next leap forward.
🙅♂️2. It Doesn't Define You
One weekend does not erase your talent, your vision, or your worth as a teacher or choreographer. And as so many dance educators echoed in that post, it's crucial to remember that scoring is subjective. You are getting an opinion from three specific people on one specific day. We need to shift our mindset. When you listen to the judges' tapes, remember that you aren't listening to a final "evaluation" of your worth—you are simply receiving "recommendations." Take the zero-fluff, actionable recommendations that actually help your studio grow, and leave the rest at the door.
🛡️3. Stand Tall and Protect Your Joy
To the teacher in the comments who said, "Wake up tomorrow knowing you try your absolute hardest for your kids - and that IS enough"—you hit the nail on the head. Trophies eventually collect dust, but the resilience, discipline, and passion you are building in your students will last them a lifetime. Hold your head high, stand proud of the work you do, and whatever you do, never lose your joy for dance.
💥Zero-Fluff Action Steps: What to Say to Your Students This Week
When you step back into the studio, your kids will be looking to you to set the tone. Here is exactly how you can frame the experience for them:
🗣️Focus on the feeling, not the hardware: Say, "I am so proud of how you left your hearts on that stage. The energy you brought to the performance matters far more to me than the color of the pin they handed you at awards."
🗣️Reframe the critiques: Say, "We got some great recommendations from the judges this weekend! We are going to use their feedback as a tool to make this routine even stronger. Let's look at a few spots we can level up." (Remember: use the word recommendation, not evaluation. It instantly lowers their defenses and turns a negative into a tool for growth).
🗣️Connect it to life: Say, "Sometimes you dance your absolute best and you don't win. That is how life works sometimes. But the character you show when you don't get first place is what makes you a true champion. We learn, we adjust, and we keep moving forward."
🗣️ Target the "Personal Best" Instead of comparing them to the team that took first, compare them to their last rehearsal. Say: "I went back and watched our rehearsal footage from two weeks ago. The synchronization in the second chorus today was 10 times sharper. That’s the real victory—beating the version of yourselves that walked into the studio last Monday."
🗣️ Shut Down the "Comparison Trap" When students or parents start whispering about why another studio won, pivot immediately to reclaim control of the room. Say: "Hey everyone, listen up. We aren't going to talk about who won or lost this weekend. Why? Because if we focus on other studios, we are giving them our power. From now on, our goal isn't to be ‘better than them.’ Our goal is to be so clean, so sharp, and so strong that it doesn't matter who else is on that stage. We want the judges to look at us and say, ‘Wow, there is absolutely nothing I can find wrong with that.’ That is what it means to be undeniable. We can’t control a judge’s preference, but we can control our technique, our transitions, and our sportsmanship. We don't train to beat Studio X; we train to be undeniable. Let’s focus on the variables we actually own. Let's get to work!"
🗣️ The "One-Thing" Strategy Give them a concrete, immediate mission so they don't wallow in the "what ifs." Say: "We aren't changing the whole dance. We are going to master one specific recommendation the judges gave us regarding [e.g., foot articulation/spatial awareness]. Once we nail that today, we’ve already improved."
💡 Pro-Tip for the Teacher: The "24-Hour Rule"
The Action: Give yourself and the students 24 hours to feel the "big feelings" (disappointment or even over-excitement). Once you hit the studio floor for the new week, the "Competition Fog" clears, and the "Training Mindset" begins.
And Remember: You haven't let anyone down. Dust yourself off, remember why you started. You’ve got this. The trophy collects dust, but the way you handle this week stays with them forever. Go get 'em!
Click on the image above to reclaim your passion and learn the exact systems to stop putting out fires and start leading with clarity. Your journey from burn out starts here.