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Do Your Dancers Dance Full Out in Class?

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Teacher article

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From time to time teachers ask me how they can get their students to dance "full out" in class and rehearsal. This is a universal problem with students today. Often their perception is that they are truly giving it their all when we, as teachers can see clearly that they are not. So what to do about this problem? It is a dilemma because we all know that unless they dance full out both in class and rehearsal they are not going to improve or become stronger and unfortunately probably will not realize their full potential. Ten years ago students were different in that very often they were willing to work like maniacs to achieve a higher level. Not so much today! Of course there are those individuals who are driven to excel but on the whole they are few and far between.

We live in a society where children are given "Participation" awards for mediocre or less effort so it is not surprising that in their minds if they give a little they will still be rewarded. Naturally the end result of this mindset is very average work. I had two of my students tell me this past week that the step or exercise that I was giving them in class was hard. My reply to both them was that of course it was hard and that in order for them to progress they needed to learn steps that were hard and that in time those steps, with work, would become easy and it would then be time to move onto to other hard steps. Stepping stones in the learning process!

Certainly I have tried a number of different tactics, because you just don't know which one will strike the right chord. Two that have worked well are rewarding hard work in some way or another that all of the students can see. It might be by giving the student a prize, or honoring them by putting their picture and a description of their accomplishments up in the lobby of the studio or school. It just needs to be some visible sign of recognition for the student's excellent work habits. Be creative, you know your students likes and what excites them the most. Perhaps you give them tickets to a show that they want to see. It really doesn't matter what the reward is, just something that will make a statement to the other students.

The other tactic that has worked for me is to film their class or rehearsal and then have them sit them down to watch it. Because children today are used to looking at everything on a screen it seems to make a bigger impact on them when they can actually see some of their less than energetic work. I have had good results with this method because as we know it is very easy for students to tune us out if we are talking but they love to see themselves on video and it is also easier for us to point out the good or not so good things that they are doing.

The other challenge is to keep them mentally alert and inquisitive, not an easy task! Ask them questions, demand answers and give them projects no matter how small where they need to come back to you with information on something related to their dance training. Again, reward the students who actually take the time to investigate and learn whatever they were looking up. Don't just accept a computer printout that took them two minutes to get and no time to learn, get them to communicate to you and the other dancers what their investigations have shown them. Make it fun and get a little friendly competition going.

Teaching dance today is more of a challenge than ever before to keep the dancers motivated and eager to work. Most of the messages that they are receiving are not positive and the only hard work that is encouraged is the skill to pass exams at school. Other than that they are constantly shown that as long as you show up you will be praised, something very opposite to what is needed to excel in dance or sports or really in life in general!

Be creative and find ways that work for you and your students to help to keep it positive and to show them that if they put in the time and the hard work that the light at the end of the tunnel can be within reach.

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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