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Ballet Lesson Plans: Teaching Advanced Pirouettes

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Teacher article

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Pirouette combination

Prepare; 5th position left foot front, upstage

Introduction: Demi allonge to bras bas

1- 2 Temps leve derriere with petit developpe derriere croise, temps leve devant with petit developpe devant finished in 4th croise

3-4 Coupe over, chase pas de bouree en avant in ouvert, close to 5th, cabriole derriere, chasse passé en avant

5-6 Coupe chasse, pas de bouree, finish in 4th croise

7-8 Triple pirouette, en dehors finish 4th croise

1-4 Double pirouette en dedans in attitude finish in croise

5-6 Pose upstage OP and developpe to ecarte devant, tombe forward

& 7-8 Pas de bouree under on "&" to 4th croise. Single pirouette en dedans in 1st arabesque, finishing in croise en fondu

Repeat all on left side

Pirouettes in attitude and arabesque

Prepare; 5th position croise

Introduction: Demi allonge to bras bas

1- 2 Battement glisse devant to large 4th, using port de bras arms through 5th position

3-4 Single pirouette en attitude derriere en dedans, arms 5th during turn

5-8 Finish the turn efface to PO and slowly extend back leg to arabesque and port de bras arms to a deux bras

"and" Battement glisse devant

1-2 Pose to large 4th with port de bras

3-4 Single pirouette en attitude derriere en dedans with arms 5th position

5-8 Finish the turn efface to Prompt, slowly extent back leg to arabesque and port de bras arms to a deux bras

1- 2 Battement glisse devant to large 4th, using port de bras arms through 5th position

3-4 Single pirouette in arabesque derriere en dedans, arms 1st arabesque during turn

5-8 Finish the turn efface to PO and hold arabesque

"and" Battement glisse devant

1-2 Pose to large 4th with port de bras

3-4 Single pirouette in arabesque derriere with arms 1st arabesque position

5-8 Finish the turn efface to Prompt and hold arabesque position, then finish with a passé through to a large 4th

Exercise then to be repeated with double turns

Author

Alisa Finney

Alisa Finney

Alisa Finney re launched the Melbourne Ballet Company in 2007 and she carries responsibilities in artistic direction, programming and professional development for the company. Her successful career as a Principal ballet teacher at Gay Wightman School of Ballet for over 20 years is ably supported with an Advanced Diploma in Dance Teaching from the Australian Ballet School (Distinction), Borovansky Memorial Australian Academy of Dancing Diploma, Australian Institute of Classical Dance Licenciate Diploma, Bachelor of Applied Science (RMIT) and Bachelor of Business Administration (RMIT), plus multiple certificates in pedagogical studies that enhance her career in dance education. As Principal of the Gay Wightman School of Ballet she puts on 3 student productions annually with over 400 performers, teaches the Vaganova based BMAAD syllabus from Pre-Primary to Solo Seal and is a teacher of VCE and VET Dance as well as private coaching. Alisa has developed a 13 level elite student dance program- the Melbourne Ballet Company Coaching School, and she delivers and co- ordinates teachers development days in this system of training. Students are submitted in exams for this through the Australasian Dance Assessment. A vision to create a ballet company has been hers for many years. As a manager of a performing arts organisation she has taken the primary role to initiate and develop the Melbourne Ballet Company, securing its clear direction and future through bringing in key alliances and ensuring a stable management structure for the company. To maintain the momentum of a professional company that is high in integrity with committed and loyal personnel in the competitive environment that is Melbournes arts scene has earned her great respect within the industry and abroad. Now in its fourth year of operation, and with nine successful performance seasons, Alisa has provided a surety for Melbourne Ballet Company’s future.

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