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Preparing for Next Year’s Performing Groups

Type:

Studio Owner Article

Category:

Self-help and Life Enhancement Tips for the Business Owner

Each year there is a transition when the seniors in your school leave and go on to college or to pursue a career. Sometimes it can be devastating, because all of a sudden you are left with a very sparse performing group which appears to have all of the life taken out of it. Of course, generally those seniors have been studying with you for some time and it never fails that the year that they leave is the year when they finally seem to "get it"! You watch them perform and say to yourself, "finally they understand what I have been teaching them all these years!" It really is a great feeling to see dancers that you have trained over a period of time looking fantastic but of course, these moments are bitter sweet because you know that you are going to have to let go and help them to fly away to other teachers and schools.

We all have students that we see have potential and that we groom to move upwards but often they are not ready to step into the positions vacated by the seniors and that can lead to having a "down" year as far as performances go. Grooming the up and coming young talent is really important if you want to maintain the standards set by their predecessors. Obviously the level of technique is important and also talent is needed. As the old saying goes, "You can't make a silk purse out of a sows ear", but talent alone is not enough just as technique alone is not sufficient, it is the combination of talent, technique and experience that makes the entire package work.

Some years ago I had a student, a young man who was very interested in pursuing dance but had a long way to go technically. I mapped out a series of classes for him to take to help him to strengthen and learn in the most efficient way possible. He was a good student and in a short period of time managed to master a strong base of technique however, it was not until I started having him take one class a week alongside of one of our best male dancers that he really started to emerge as a force performance wise. Something clicked with him and made him really want to perform when he worked alongside of this more advanced dancer. Part of it was probably due to the fact that boy dancers like the challenge of working with other boy dancers; it's that male competitive thing! The other part was that he was a smart kid and copied the more advanced boys' style, work habits and performance skills. Now, it is very important for any dance student to work at a level that is suitable for their knowledge and strength but it can really be helpful in the grooming process to sometimes let those less experienced students have the chance to work alongside the more proficient ones.

We have different levels of performing groups just like most other studios and each year we look at the students that we feel are going to benefit from that extra grooming. We have a junior company and a senior company apart from other performance groups and we hand pick the students from the junior company to perform in one number with the seniors. Not a group of them together, although we do that too, but just one at a time in a number full of the best dancers. Again, each time that we have done this the dancer has elevated their performance and managed to integrate themselves into the senior company number. Of course, they have to be technically able to handle the choreography but it has been great to realize that given that extra push and vote of confidence from us, their teachers, that they have really been able to step up to a much higher level. It has made the transition so much easier each year and has enabled us to keep the standard fairly consistent from year to year. So often the student is technically capable but does not have the style or performance skills gained with experience and time. Who you pick to take these steps up is of course important because you want it to be a challenge for them but not something that is going to overwhelm them to a point where they are not able to function. It gives the younger dancers a taste of what it is like to be in senior company so that when we do promote them they have a better understanding of what is needed both mentally and physically and it makes the transition easier for them and less noticeable from an esthetic point of view.

This year we have six seniors leaving and we will miss them dearly but feel good about the dancers waiting to step into their shoes knowing that they will not only be able to assimilate themselves into the senior company but will not feel overwhelmed or terrified by the prospect of it all.

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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