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THEY DON'T LIKE YOUR CHOREOGRAPHY....NOW WHAT?

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Teacher article

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As dance teachers, we pour hours into our work—researching music, shaping concepts, crafting movement, and building transitions. There’s a real sense of excitement when bringing a new piece into the studio. But what happens when that excitement isn’t shared? When your dancers just… aren’t feeling it?

First, accept this truth: you will never please everyone. Trying to choreograph based on popularity instead of artistic vision is a fast track to losing your voice. While it’s natural to want your dancers to enjoy what they’re performing, your role as the choreographer is to lead. You understand what suits your dancers, what challenges them appropriately, and what will ultimately elevate them as performers.

That doesn’t mean collaboration has no place. Some of the most powerful moments in the studio come from mutual inspiration—when dancers influence the process through their growth and energy. But there’s a clear difference between collaboration and resistance. When dancers disengage because a piece feels unfamiliar, “uncool,” or different from what others are doing, that’s where guidance—and boundaries—matter most.

So how should you handle it?

Address it early and directly. Effort is not optional. Dancers don’t get to choose which pieces deserve their energy. Consistency is part of the job, especially for those with professional aspirations. Help them understand that being a dancer means committing fully, regardless of personal preference. If they only want to create work they love, then choreography—not performance—may be their path.

Importantly, this doesn’t need to become confrontational. Setting expectations at the beginning of the season can prevent issues later. When those expectations are clear, it’s easier to revisit the conversation if motivation dips.

It’s also worth checking your own perspective. It’s gratifying when dancers love your work—but their reaction isn’t a reflection of your worth as a choreographer. Dancers are still developing, both technically and artistically. They will naturally gravitate toward certain styles or teachers. That’s okay. What’s not okay is letting that preference affect their commitment.

Encourage them to push beyond what feels comfortable or familiar. Growth often lives in the pieces they don’t immediately connect with. Tackling different styles—whether ballet, jazz, or contemporary—builds versatility, resilience, and a stronger artistic voice. Those are the qualities that shape not just good dancers, but great ones.

At the end of the day, dance is about more than steps. It’s about discipline, attitude, and work ethic. Remind your dancers: what they give in the studio is exactly what they’ll get back—not just now, but throughout their entire career.

Stay true to yourself. 

See you in the dance studio,

Jess

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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