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Dance Teachers: Here's How to Build an Effective Lesson Plan

Type:

Blog

Category:

Dance Teachers

A strong dance lesson plan is more than a list of exercises—it’s a roadmap for skill development, consistency, and class flow. Without a plan, classes can feel rushed, repetitive, or unfocused. With one, dancers progress with clarity and purpose. This guide breaks down each component of a dance-specific lesson plan and explains how to use it intentionally across styles and levels.

1. Define the Objective Before You Plan

Every class should answer one question: What do I want dancers to improve today?

Examples:

Weight transfer in turns

Articulation of the feet in allegro

Grounding and texture in contemporary

Clarity of arms in jazz

Your objective should be specific and achievable in one class. Everything that follows—warm-up, exercises, and choreography—should support that goal.

 

2. Warm-Up: Prepare the Body for the Work Ahead

A dance warm-up should:

Increase blood flow

Mobilize joints

Activate key muscle groups

Introduce movement patterns used later in class

Effective warm-up components:

Spinal articulation (roll-downs, curves, spirals)

Core activation (controlled balances, slow transfers)

Foot and ankle articulation (tendus, brushes, doming)

Gentle dynamic stretches (never passive holds)

Tip: Design your warm-up to preview the technical focus of the day. If turns are coming later, include balance work early.

 

3. Technique Section: Build Skill Progressively

This is where intentional planning matters most.

Key principles:

Simple to complex

Slow to fast

Supported to unsupported

For example:

Start with stationary work (pliés, rises, balances)

Progress to traveling exercises

Then add direction changes, arms, or tempo

Avoid adding complexity too quickly. Dancers learn best when one variable changes at a time.

Correction focus:
Choose 1–2 technical priorities to reinforce throughout this section. Repeating corrections across exercises helps dancers actually apply them.

 

4. Across-the-Floor or Skill Application

This section connects technique to movement.

Use across-the-floor to:

Apply technical concepts in motion

Build coordination and spatial awareness

Develop performance quality

Examples:

Turns with emphasis on spotting and weight placement

Leaps focused on takeoff mechanics

Traveling phrases emphasizing dynamic contrast

Teaching tip: Give one clear correction before dancers go, and one after. Too many notes disrupt flow and retention.

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5. Choreography or Phrase Work

Choreography isn’t just about learning steps—it’s where technique, musicality, and artistry meet.

Plan choreography that:

Reinforces the class objective

Matches the dancers’ technical level

Allows time for cleaning and questions

Break phrases into sections and layer:

Steps

Timing and rhythm

Dynamics and intention

Introduce improvisation and composition

Avoid rushing through material. Fewer steps taught well are more valuable than more steps taught quickly.

 

6. Cool-Down: Close the Class Intentionally

The cool-down helps:

Reduce muscle tension

Regulate breathing

Transition dancers out of class safely

Include:

Gentle stretching for worked muscle groups

Breath-focused movement

Brief reflection or reinforcement of the day’s focus

This is also an effective time to remind dancers what to practice at home.

 

7. Reflection: Plan for Progress, Not Perfection

After class, take a moment to reflect:

Did dancers meet the objective?

Where did they struggle?

What needs reinforcement next class?

Lesson planning improves when teachers view classes as part of a sequence, not isolated events.

 

A detailed dance lesson plan creates clarity, confidence, and consistency—for both teachers and dancers. When each section of class serves a purpose, progress becomes measurable and meaningful. Planning doesn’t limit creativity; it gives creativity direction. With intention and structure, every class becomes an opportunity for growth.

 

See you in the dance studio,

Jess

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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