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UNDERSTANDING MUSICALITY IN DANCE

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As dance teachers, we spend countless hours drilling technique — turnout, extensions, lines, and precision. But one element that can truly elevate our students’ artistry often gets overlooked: musicality.

Musicality isn’t just about keeping time. It’s about helping dancers interpret and embody the music so that their movements breathe, speak, and resonate with emotion. As educators, our role is to guide students beyond the counts — toward genuine connection with sound.

 

What Musicality Really Means for Dancers

Musicality is the dancer’s ability to translate what they hear into expressive, intentional movement. It’s not limited to rhythm and timing — it also includes phrasing, texture, emotion, and dynamics.

Think of it this way:

Technique gives dancers control over their bodies.

Musicality gives them control over their expression.

Two dancers might execute the same choreography perfectly, yet one captivates the audience — not because of sharper lines, but because they feel the music differently. That’s the magic we want to nurture in our classrooms.

 

Why Teaching Musicality Matters

Musicality transforms choreography from mechanical to meaningful. For teachers, it:

Deepens artistic development. Students learn to think like musicians and storytellers, not just movers.

Encourages individuality. Each dancer’s interpretation of the same piece of music can (and should) look unique.

Improves retention. Dancers who connect emotionally to the music remember choreography more naturally.

Fosters performance confidence. When students understand what the music is saying, they perform with purpose rather than anxiety.

 

Strategies to Teach Musicality Effectively

Here are some classroom approaches that help teachers weave musical awareness into regular technique training:

1. Start with Listening

Before dancing, have students simply listen to the piece. Ask:

“What instruments stand out?”

“Where do you hear a shift or a pause?”

“What emotion do you feel here?”
Encouraging them to articulate what they hear strengthens both comprehension and emotional connection.

2. Teach Beyond the Count

Use counts for structure, but also explore lyrics, accents, and phrasing.
For example:

“Instead of just hitting 1-2-3, listen for the swell in the strings right before the downbeat. That’s where your movement breathes.”

3. Incorporate Improvisation

Give students short moments to improvise to music — no choreography, just exploration.
This builds natural responsiveness and helps them discover their own sense of timing and texture.

4. Use Dynamic Cues

Describe movement with musical adjectives: staccato, legato, crescendo, pause, echo.
Language like this reinforces the physical embodiment of sound.

5. Cross-Train with Music Education

If possible, collaborate with a musician or invite guest percussionists. Even a short rhythm workshop can help dancers internalize complex timing in a new way.

 

Musicality can’t be forced — it must be cultivated. Encourage curiosity, not correction. When a dancer “misses” a musical cue but feels something genuine, that’s a teaching opportunity, not a mistake.

Creating a studio culture that values musical interpretation as much as technical mastery helps students become well-rounded, expressive artists.

 Closing Thoughts

As teachers, our greatest task isn’t just to make dancers move with the music — it’s to help them become one with it.

When we teach musicality intentionally, we empower our students to move beyond steps and counts, and into artistry, emotion, and storytelling.

Because in the end, the most memorable dancers aren’t those who keep perfect time — they’re the ones who make the audience feel the rhythm.

 

See you in the studio,

Jess

 

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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