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PREPARING DANCERS FOR THE PROFESSIONAL AUDITIONING LIFE

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I have had lengthy conversations with and read ample comments on social media of many talented friends in the business; many that have had long, long careers doing what they love to do and making a good living at it. Today, in particular however, I met up with a friend who is between shows. This is someone who has pretty much worked consistently in the Broadway community for the past 25 years. This conversation resonated with me so much it made me stop and think whether we truly prepare our students enough for what is ahead of them. He went on to mention how hard it still is to reconcile how last week he was touring with a big named celebrity, staying in a 5 star hotels and living the life and this week he was back to his job waiting tables and back to the audition grind.

So, the question I pose to you is, are we honest with our students about what the real life of a dancer fully entails? Because the truth of the matter is, this scenario is really not that uncommon. Some dancers can spend six months on tour dancing for someone famous or have a residency with a company and then with the blink of an eye find themselves back at their waitressing or bartending job trying to pay the rent. The “in-between job” is common…. unless they are one of the very few that has the talent and luck to bypass it. How does that effect the mentality of these dancers, especially new to the business and are they prepared and willing for the sacrifices and lifestyle that accompany all the perils of their labor? And how do they maintain a positive, healthy mindset and outlook on, “the life?”

Hopefully, we aim to prepare our students for everything. We train them and teach them their technique, performance skills, choreography, studio and theater etiquette, how to dress appropriately for class, what to bring to an audition, how to audition, the list goes on and on. So shouldn’t survival skills in the real world be our responsibility too? Getting them to at least consider and think about the interim of landing a successful audition is essential. They need to be fully aware that for most, they will be auditioning more than they will be performing. That’s the reality. They will have to take that“in-between gigs job” and they will experience the highs of being on tour and possibly getting a taste of the glamorous life, traveling, signing autographs, taking pictures with fans, going to parties, etc… etc… and then in the next breath could be serving burgers while waiting for the 5th call back….and that could also go on for 6 months or longer. That’s the truth….. And aren’t we supposed to be truthful with our dancers? Dancers who do have skills in other areas may fair better in their “side jobs,” in terms of finding something they enjoy doing while they are auditioning. Whether that be something like photography, editing, childcare, photography, teaching, etc. It may serve them well to pay the bills while enjoying what they are doing day to day until that big break comes along.

Now, the key is not to scare them but make them aware and provide them with the same training tools we do in their dance classes. We want to always set our dancers up for success. In every capacity. Physically, mentally and emotionally, we hope they have a strong sense of self and belief in themselves. Honesty about the “real world” accompanied with readiness and a game plan will give your dancers a strategic leg up on what they might experience going forward. It will also help them recognize how fortunate they are when they do land a gig and how precious those professional experiences are in a sometimes short but beloved career. The best case scenario- they are one of the rare few who is talented and fortunate enough to make a name for themselves and go from booking to booking

Finally, remind your dancers that while yes, they may one minute be dancing professionally and the next back to auditioning…..the same is true vice-versa. It takes just the turn of a corner, one audition and the difference of a day to be back on that stage. Never give up. Keep going and persevere. At some point lightening will strike for them and they’ll know we’re rooting them on every step of the way!

 

Good luck!

See you in the dance studio,

Jess

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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