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PLACING FOCUS ON FOCUS IN CHOREOGRAPHY

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Often times we see pieces and wonder what sets them apart from others. What gives them that magical, slight edge of polished nuance compared to others? I often harp on the notion with my dancers that it really is not all about the tricks and flashy embellishments in a piece, it’s in the details.

Focus is one of those important details that often gets overlooked in the rehearsal period and can make or break a piece. I’ll tell you why….Focus gives the piece its direction. Direction for the dancers’ intention and direction for the audience on where to bring their attention. When a dancer’s focus is clear, they are helping the audience along the journey. Focus can create a mood, a dynamic, a story and without it, choreography can often look likes it’s meandering in space without well…focus.

Clear focus in a piece is also essential because a dancer can look unrehearsed, unsure and unintentional in the delivery if they are not looking where they should be. That may not really be the case, but perception is everything and you know as well as I, that your eye always goes to the dancer who does not look in sync with the others.  When focus is collective as an ensemble, it makes for a powerful piece, no matter the genre. It can be strong and direct, in your face with outward energy, or internal longing and searching. It very much is part of the choreography.

 

So, the next time you are in rehearsals, devote the time to painstakingly have your dancers go through their focus for every part of the piece. And not only the actual focus, the transitions of the focus. Be that specific. It will get everyone on the same page that much more and take your work to a whole elevated other level. It shows attention to detail and gives shape to your choreography. It demonstrates an artistry of thought and care by your dancers and that they took the time to understand not only the concept and big moments but all the little things that make for a piece that stands alone.

Good luck!

See you in the dance studio,

Jess

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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