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WAYS TO MAKE MUSICAL THEATER AGE APPROPRIATE

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There are many components to teaching musical theatre effectively; technically, stylistically, historically and conceptually. This is especially true when introducing it to the preteen demographic. This genre is a real love of mine and where my heart is at, so I take great passion in providing my students with complete knowledge in the truest sense; regardless of age or level.

The difference between a good musical theatre curriculum and a great one, is providing your dancers not only with the understanding of extracted musical numbers from shows or movies, but having them understand the whole show; music, book and lyrics from beginning to end!. Teaching them the details of who the composer and lyricist was, who the choreographer was, who wrote the script and when and where these musicals were produced will elevate their knowledge to a whole new level (not to mention continue the legacy of passing these musical gems onto future generations.) Providing material which is fun, relatable and appropriate is also key and very often overlooked. If the content is too mature or too out of reach for them, they will never be able to fully grasp the key ideas mentioned about.

With that thought, I’d like to share some helpful hints to teaching the musical theatre genre which have helped me over the years and provided great results for my own dancers! The main thing I believe is to remember to always set works which your students will become engaged with, challenge them and make them knowledgeable about musical theatre history!

Always think about what is age & content appropriate & what you know your students can grasp conceptually, musically & physically! Choose music which will best showcase your students technically and performance wise and bring them to life on stage!

  • Consider work-shopping musicals throughout the year and take time to explore each piece or musical you are looking at! Investing more than one class will definitely provide students with a better and more thorough understanding of what they are learning!
  • Explain back-story/history of show to your students so they understand song context! This is key to grasping the nuances of the musical theatre genre.
  • Opt for an alternative song version/different arrangement/contemporary or original version. This is a great way to use music which is not often overused at completion and will offer audiences a fresh eye on a variation of a classic favorite!
  • Look at movie soundtracks with era specific genres or international productions that may not have hit the Broadway stage here in the states! Many West End productions have great scores which may be unfamiliar to some and will definitely tap into the originality factor for your dancers and audiences!
  • Use well known musicals but opt for the lesser well known songs.
  • Consider using overtures, entr’actes & reprises. This is a great way to use a medley of great songs from a show without having to music edit! It also takes the audience on a quick journey of the musical; creating space for many dynamic, transition and choreographic changes within one piece!
  • Go to the composers themselves, Cole Porter, Gershwin, etc. Many of the composers have music composed which were never used for actual full-length shows but will provide wonderful pieces which are all of different time periods and styles!

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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