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SIX THINGS TO BE MINDFUL OF WHEN CRITIQUING & CORRECTING

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As dance teachers and artists, we are our own worst critics. We scrutinize every detail and go over things with a fine-tooth comb every day we’re in the studio. Why? Dancers aim for perfection. It is a lofty, unobtainable goal, but our art and training has us wired to strive for it. Everything from our physical bodies to our technique to performance, the natural tendency is to identify what’s wrong, what needs to be fixed and what could be better. This holds true when we work with our dance students as well. While it is our job to be there to teach and correct the students in front of us, it’s also important to stop and acknowledge at what they are doing right. We might get so caught up in the “assessment measures” that we fail to recognize we are also dealing with children and adolescents. Those same children and adolescents who just might need that bit of recognition and praise every now and then to stay motivated and realize they are on the right path to progress.

Now, I personally am not a teacher who has the mindset to complement their dancer at every single turn and stroke their ego simply because we are currently based in a society where every child gets a prize, just for showing up. That’s just me. But, I do believe that if critique is not sprinkled with praise for hard work, when well deserved, it can deflate a student and leave them wondering if what they are doing is even worth the commitment. Our goal should always be to build our dancers up with positivity and nurture their love of dance.

What is essential for an effective teacher is making them understand that in the time of critique and feedback, it is done out of love and for wanting them to do better. It is the fine line of inspiring them to believe in hard work and process as well. Understanding that there will be good days and bad days is key to teaching how to look at the big picture and work towards the big goal in the end.

While teaching class be mindful of some things when critiquing:

  1. Your delivery.
  2. Your tone.
  3. How often do you single out a single student?
  4. How often do you verbally acknowledge when a student does something really right?
  5. How often do you privately speak with a student on something they are doing really well in class?
  6. How well do you explain a critique or correction? Does the dancer understand how to work on it and apply the correction? Have you offered multiple ways to explain it so the dancer grasps the lesson?

Always keep in mind that tough love and discipline are not dirty words we should avoid as teachers. What is essential is also looking at the things our dancers are doing well. This is a reflection on your teaching and their direct response to it, so keep the balance in terms of feedback and always keep the lines of communication open with your students. Remember,  positivity is always key, whether giving praise or criticism. Your dancers will appreciate it and learn even more in the long run!

Good Luck!

Stay safe. Stay healthy.

See you in the dance studio,

Jess

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Author

Jess Stafford

Jess Stafford

Jess Stafford is a native New Yorker and has her MA in Dance Education from NYU. She also earned a BFA in dance performance from UMASS Amherst. Following a wonderful professional dance career, Jess now teaches and choreographs nationally and internationally, bringing her love of movement and creating to all her classes. Jess’ favorite performance credits include: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. She has been on faculty for the Rutgers University Dance Department, Perichild Program at Peridance and was Company Director at Steffi Nossen School of Dance. Jess has also taught creative movement therapy in Uganda and was a featured instructor at the Queen's Kampala Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and has been on faculty at the IDS International Dance Teacher Conference at The Royal Ballet, MPower Summer Dance Intensives and annual Dance Teacher Web Conferences. Jess has also served as Master Teacher & adjudicator for various dance competitions. She is the Chief Editor and contributing writer for the DanceTeacherWeb.com blog and is also an original in-house Dance Teacher Web faculty member. Jess’ latest venture has called her to become a Board Certified Integrative Health Coach, 500HR RYT and RPYT. She is also the creator of her private practice, Rebel Wellness. Her latest passion project includes creating the “BE WELL” Yoga + Wellness School and Dance Studio Program, which fosters mental health & emotional wellness for today’s youth. www.rebelwellnessny.com

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