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Pathways Creative Movement Lesson Plan

Type:

Teacher article

Category:

Dance Teachers

LEARNING OBJECTIVE:  By the end of this lesson, students will be able to differentiate between straight, angular, circular and curvy space patterns.

NATIONAL AND STATE STANDARDS ADDRESSED: (*Adapted from NDEO Standards for Learning and Teaching Dance in the Arts)

  • I 3 (a) 2: Pathways: Dance through space in a straight, curved, circular, diagonal, zigzag and combination of pathways
  • I 2 (c): Locomotor Movement: Demonstrate and identify locomotor movements: roll, slither, crawl, creep, walk, run, jump, march, slide, gallop, hop, skip and leap.
  • I 3 (a) 5: Personal Space: Defines one’s own personal space in relation to the personal space of other dancers
  • I 4 (a) 4: Focus and Awareness: Dance with awareness of movement relationships: proximity, interconnectedness, between dancers, modes of change
  • III 1 (a): Use Dance Terminology: Observe or perform dance and indentify movements using dance terminology

ASSESSMENT:

  • Students verbally identify pathways and locomotor movements from a variety of video clips
  • Teacher or volunteer demonstrates various pathways and students draw the pathways as they are observing
  • Use of Matchbox cars to demonstrate or “drive” the pathways

AGE AND DEVELOPMENTAL INFORMATION OF 3RD GRADERS: (*Adapted from Creative Dance for All Ages by Anne Green Gilbert)

  • Loves to learn through exploration
  • Motor coordination and endurance increases at this age
  • Enjoys practicing and developing skills while improvising
  • Needs action and excitement to participate and engage fully
  • Loves to contribute
  • Wide range of physical maturity and pre-adolescence beginning
  • Needs individual praise and positive reinforcement
  • Enjoys experimentation and creating

MATERIALS:

  • Music
  • Matchbox Cars
  • Video Clips
  • Large sheets of paper and crayons
  • Map

WARM-UP:  Create a warm-up with an “Under the Sea” theme.  Emphasis on Mermaid/Sea Urchin characters to include:

  • “Submarine” start of warm-up to include follow the leader (i.e. teacher) and travel around the room in different pathways before settling into beginning spot on the floor.
  • Progression of “swimming” through space in different pathways
  • “Floating” series will include space patterns
  • All stretches will include transfer into slow, locomotor stretches through pathways

MOTIVATION:

  • Students will identify pathways from short, video clips (i.e. The Road Runner  running straight, ballerina performing piques turns in a circular pathway, race cars making angular sharp turns, etc.)
  • Ask students, “Do all people walk in a straight line all the time?”
  • Pull out map and ask students the pathway from A to B? How do we get there? What is the pathway pattern?

LESSON INTRODUCTION:

Prompt for prior knowledge: Do you walk in a straight line all the time?

Teacher’s Goal: By the end of this lesson, students will be able to differentiate between straight, angular, circular and curvy space patterns

EXPLORATION:

  • Walk, run, skip, jump, march, slide, gallop, crawl, slither, hop, etc in a straight pathway
  • Perform them forward, sideways and backwards
  • Change tempos to slow, medium and fast
  • Perform solo, then with partner, then in groups

*Repeat this with use of circular, angular and curvy space patterns

DEVELOPMENT:

  • “Race Car” Follow the Leader- Students now become the race cars. Teacher calls verbal cues of the pathway to be followed (i.e. straight, angular, curvy, circular.) Begin with follow the leader as one volunteer leads that pathway to be followed. Progress into freeze dance. One person (or “race car”) travels alone while other “cars” are frozen.
  • Drawing Center: Partners draw their “pathways map” together and then dance through the pattern they create.

CONCLUSION:  Students reconvene in the class “Submarine” in the center of the room and slowly stretch (with no leader this time) and travel through space. Dancers wind down and decrease their tempo until they are in stillness and lined up to exit the class.

 

 

Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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