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For many of us this is the time of year when are season is winding down and we are either immersed in the end of year performances or trying to recover from the pressures of producing choreography that makes our students shine. Now is the time to take a deep breath and reflect on the season.

Looking back always helps us to move forward in a more positive way. How did you feel that your year went? Did you accomplish all the things that you set out to do at the beginning of the year and were you happy with the results? If the answer to those questions is yes then you should give yourself a big pat on the back for a job well done and plan to do more of the same next year. If you feel that perhaps some things could have gone better or that you did not manage to accomplish all that you set out to do, then this is the perfect time to get your plans in gear to become better prepared for the next year.

Take a good look at your class plans and find where you feel you struggled to give your students all of the information that you wanted them to have and then analyze why you struggled. I know for myself there are times when you have students that either just don't want to study or are having difficulty with the material. This is when it is so much easier to teach from a syllabus because it sets clear guidelines for both the student and the teacher and also makes the different levels clear. If you don't already work with a syllabus I heartily recommend you to do so because then you have a good base to work from and it will definitely make it easier to make sure your students learn the appropriate technique for whatever level they are at.

Giving your students handouts with a list of steps and terminology that they need to know at the beginning of the season is often very helpful and gives the students a good feeling once they have mastered those steps. It also helps to give your students a goal to learn the material by a certain time. I like to test my students periodically and have them do a series of steps or a certain pirouette combination or anything else that I have been working on. I do these tests randomly in class and don't give my students any warning of when I am going to ask them to show me what they have learned. The students actually like showing me and even those ones who are nervous because either they haven't practiced or just don't understand what you are teaching them realize that I can really help them to master the steps if I can see for sure that they are having difficulty. Sometimes by putting them on the spot they really rise to the occasion and it also gives them a good reason to study and practice.

Finding a good syllabus for all styles of dancing is well worth the effort and definitely worth getting a certification for it. There are a number of good Ballet Syllabi available for teaching Children from the Royal Academy of Dance to the American Ballet Theatre to Cecchetti, just to mention some of what is available. There is a syllabus for Jazz, Modern, Tap, Lyrical Jazz, Pre School, the list goes on and on, the key is to find one that you can work with. As with all syllabi a good teacher will use it as a format and guideline and then take it further. What it gives both you and your students is structure and that can only be helpful.

Make a plan to get some new ideas for class work and choreography to not only stimulate your students but you also. Come up with some fun ways to change your classes up from time to time so that they are not always predictable for your students. It will definitely help them to be in a better learning mode because they will never be absolutely sure ahead of time what you are likely to come up with.

Use your down time to relax and it will be a lot easier to come up with some new ideas to get you sailing through the next year.

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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