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Understanding Shin Splints: A Common Dance Injury

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Teacher article

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Shin splints, or Medial Tibial Stress Syndrome, is an injury that affects many dancers. It causes discomfort and pain in dancers of all levels. By understanding the condition, you can help prevent it, or recognize the symptoms early on so that the dancer can get prompt treatment.

 

Shin splint prevention. There are a number of situations that can cause a dancer to become a shin splint sufferer, and many can be prevented:

 

1.     Dancing on uneven or hard surfaces with no air space underneath is a very common cause and is why it is so important for dancers to train in a studio where there is a correctly laid dance floor.

2.     Weak muscles in the front of the leg and stronger muscles in the back of the leg can contribute to shin splints, so it is important to make sure that your students’ muscle development is well balanced in the front and back of the leg.

3.     Pronation inwards of the foot which causes the arch to flatten out has been found to affect the shins or tibia and surrounding muscles and tendons.

4.     Training too hard too soon is a factor because muscles that fatigue quickly lose their ability to absorb shock and therefore more stress is placed on the bones.

5.     Incorrectly fitting or inappropriate shoes.

6.     Excessive jumping or leaping without using correct technique.

 

Symptoms. These signs are clues that shin splits may be a problem:

 

1.     Tenderness over the inside shin area. It may start as a dull ache and progress to a sharp pain.

2.     Lower leg swelling or redness.

3.     Pain starts with activity and then may disappear and return after finishing activity. If left unattended pain can last for longer periods of time.

4.     You may notice a bump on the lower leg.

5.     Pain when you point your toes.

 

Diagnosis. Dancers should have their legs and feet examined by a doctor or podiatrist. The pain is generally located just above the ankle on the inside and manifests itself vertically running up the leg whereas a stress fracture has pain running horizontally. Your feet should be examined to see if your foot type is contributing to your shin splints. If the diagnosis is still unclear, an MRI will show whether you have shin splints or a stress fracture.

 

Treatment. Carefully following doctor’s orders will aid in recovery. Typically treatment involves these steps:

 

1.     Rest the area.

2.     Apply ice to reduce inflammation; massage with ice.

3.     Take prescribed anti-inflammatory agents.

4.     Possibly purchase arch supports.

5.     Wear appropriate shoes. Clogs made of a hard material provide the best support and should be a must for every dancer.

6.     Tape or brace the area.

7.     Sports massage.

8.     Physical therapy.

9.     Strengthening of lower leg muscles.

 

Strengthening exercises. Once your student gets a medical OK, here are exercises to strengthen their muscles:

 

1.     Seated calf stretch: Sit on floor with legs straight in front of you. Place resistance band around both feet, making sure that little toes are inside band. Flex feet slowly and hold, then point feet and hold. Do 3 sets of 10.

2.     Seated bent knee calf stretch: Sitting on a bench, place resistance band around feet, flex feet and hold position for 10 counts, point feet and hold for 10 counts. Do 3 sets of 10.

3.     Standing rises: Slowly rise onto demi pointe and slowly lower, keeping heels tight together. Do 3 sets of 10.

4.     Walking on toes: Rise up onto demi pointe. Keeping knees straight and feet parallel, walk a short distance. Repeat with toes turned inward and then outward.

5.     Walking on heels: Standing up with feet parallel, lift toes off the ground so that that you are balancing on your heels. Do 3 sets of 10. Now go up on heels with feet parallel and walk a short distance. Repeat turning toes inward and then outward.

6.     Heel drops: Stand on a step and slowly lower the heels (brace the walls for balance). Hold the stretch for a count of 10. Repeat 10 times.

7.     Straight and bent knee calf stretches: Stand facing a wall or holding onto a barre. Keeping knees straight, take one leg back, keeping heel on the floor and both legs parallel. Hold stretch for 30 seconds. Repeat with front leg bent.

 

 

The more we understand the typical injuries that our students may get, the more we will be able to help them become stronger in their weak areas. If they do become injured, we will be able to direct them correctly to recover as soon as possible.

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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