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Developing a Pricing Strategy

Type:

Studio Owner Article

Category:

How to Increase Revenue and Energize Enrollment

'How much should I charge?' 'What do you charge for classes?' These are questions I have been asked by many new and experienced dance school owners. Charging either too little or too much may produce the same results: difficulty luring customers, poor cash flow and suspicions about the quality of your training.

Let’s take a look at how to develop a fee schedule that’s fair to you and your customers. Keep in mind that first and foremost, your numbers must work for you. If you charge more than the studio down the street, that isn’t necessarily a worst case scenario. Remember that most people associate more expensive with better quality—just consider Ford versus Mercedes. The key is to show them the difference. Whether it is better training, more free events, better facility or all of the above. Make sure you and those who are selling your classes know your USP (Unique Selling Proposition) so it is easy to differentiate you from everyone else. 

Look At What Others Are Doing
Professional organizations such as Dance Educators of America or Dance Masters of America often publish baseline rates and fees for national, regional and local markets. Asking other entrepreneurs is also helpful, though some may be justifiably reluctant to discuss their fees with potential competitors. Be sure to learn the story behind these prices. Blindly charging the same as someone else may be inappropriate for your business or customers. Remember cheaper prices do not mean more business. It may also mean that you need twice as many customers before you make a profit!

Set a Reasonable Starting Point But Do Not Undersell Yourself
Stay on top of what the market will pay. You may need to test it regularly to find where the top is. Finding out what other schools in your region are charging is important, but it is not the only criteria. As an example if you have been in business for a long time you can charge more than a new enterprise. Remember that if you do many customer service events that are free of charge or that make life easier for your clients, like costume alterations at no added expense, point out these added benefits to your customers.

Don’t Forget the Extras
Your hourly rate should include a percentage to cover the cost of employer-paid fringe benefits (e.g., Social Security and health insurance), and your overhead costs (e.g., rent, instructor fee, equipment, supplies and business development). You may also include a profit percentage. As they say, do the numbers work? If you are not making ends meet, then you need to find a way to charge more.

Reward Customer Loyalty
As you develop 'regular' customers, consider offering discounts in return for them taking a larger volume of classes. Make sure this discount does not cut into your profit margin and that the advantage of staying busy doesn’t limit your ability to attract or serve other customers. It makes no sense to give a large discount if you are just breaking even.

Communicate
Be sure your customer is aware of your rates and registration fees before they sign up, especially if you have recently had a price increase.  I recommend that when you negotiate a discount individually, carefully weigh the pros and cons of a lower fee.  I know that most schools call these lower fees a scholarship, but we know that in most cases it is just profit out of your pocket! Is this a one-time deal or the start of a long-term relationship with this customer? Will you still be able to cover your costs of doing business? Think long and hard before you make an accommodation that the customer will think of as permanent.

 Keep Your Prices Current
Don’t set your price schedule in stone. Monitor inflation, industry trends and your own costs to preserve your profit and marketability. Some variables that influence your prices may not become apparent until after you’ve been in business for some time. Every year we have a price increase of some kind. Whether it is class fees, registration fee, costume fee or ticket prices. It doesn’t have to be a big increase—just a few dollars here or there can make a big difference to your bottom line.

Author

Steve Sirico

Steve Sirico

Steve is co-founder of Dance Teacher Web the number one online resource for dance teachers and studio owners worldwide.He is Co-Director of the very successful D'Valda and Sirico Dance and Music Center in Fairfield, CT for the past thirty plus years. His students have gone on to very successful careers in dance, music and theater. Originally from Norwalk, Ct, Steve excelled in track and football. He attended the University of Tennessee at Martin on a sports scholarship. Deciding to switch and make his career in the world of dance, he studied initially with Mikki Williams and then in New York with Charles Kelley and Frank Hatchett. He has appeared in a number of theatre productions such as Damn Yankees, Guys and Dolls and Mame in New York and around the country and in industrials and television shows. He was contracted to appear as the lead dancer in the Valerie Peters Special a television show filmed in Tampa, Florida. After meeting Angela DValda during the filming they formed the Adagio act of DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Author of his Jazz Dance syllabus and co-author of a Partner syllabus both of which are used for teacher training by Dance Educators of America, He has also co-authored two books one for dance teachers and one for studio owners in the "It's Your Turn" Book series. He is available for master classes, private business consulting and teacher training development

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