Your browser is out-of-date!

Update your browser to view this website correctly.

×

DEEP SIX... These six rules will help you write letters that motivate your best prospects

Type:

Studio Owner Article

Category:

Self-help and Life Enhancement Tips for the Business Owner

This is a great time of year to send out a letter to your clients who have not yet re-registered for fall lessons. I highly recommend this as a way of reconnecting with them before the season progresses too far. Include a special offer or important date you may be having, like an open house where they can meet with you and your teachers or maybe have a parent class on learning how to make a bun. Here are some tips on the do’s and don’ts of writing a letter. A big key is to put yourself  in the place of  your customer. Ask yourself: Does your letter strike a chord with your clients?

Rule 1.  Set A Measurable Goal
Every good letter must be written with the idea of making something happen. Focus on that goal before you begin, and decide what your letter must contain to produce the desired result. Make reading your letter worthwhile for your prospective client, and it will reward you by advancing the sales process. If you're sending letters just to provide prospects with more information, you are wasting your postage and opportunity to move prospects to the next level.

Rule 2.  Have A Strong Hook
Your letter has to immediately grab the reader's interest or it will be discarded as junk mail. In the dance studio business your hook can be a special offer or a lead communicating a unique benefit. When your letter follows a phone call, highlight the benefits your prospect desires in the first paragraph.

Rule 3. Convey A Unique Message
Have you ever received letters from competing companies with virtually identical offers? Chances are you tossed them out because you couldn't tell one company from the other. Take a look at one of your old letters. If it could have been sent by any of your closest competitors, rethink your approach. The message, pricing and offers contained in your letter must be unique to your business and tie into your branding.

Rule 4. Keep The Reader In Mind
Imagine you were face-to-face with your prospect, reading your letter aloud. Would you be comfortable, or would the tone be all wrong? Your letter is a one-to-one communication with a real person. Don't come on too strong or overpromise. Use simple, direct language, not flowery prose or impressive vocabulary. And because you won't really be face-to-face with your prospect, the look of your letter alone must convey your professionalism, so doublecheck for errors and make use of color.

Rule 5. Write About "You The Customer"
Great letters are directed outward. That means they stress what "you the customer" will get and not what "we the company" provide. Highlight benefits front and center, and use the body of your letter to describe the features. Then summarize the key benefit once again, and close with a call to action—like 'classes are filling up fast'—that gives the prospect a reason to move to the next step in your sales process.


Rule 6. Make Responding Easy
No matter what type of marketing letter you're writing, close by providing a clear and actionable next step. In some cases, the responsibility for that action, like a follow-up call, will rest with you. When a special offer has been made, your letter should make it quick and easy for the prospect to take advantage of it via phone, e-mail and postal mail. The fewer hurdles your prospect must jump over, the more likely you are to close the sale.

 

 

To sum up, write a letter to your best clients and give them a special offer. For prospective clients, after you mail them information like a schedule and brochure in the mail, send them a separate letter a few days later with a special call to action. Get them in the door and your sales letter will have already convinced them they are in the right place.

Author

Steve Sirico

Steve Sirico

Steve is co-founder of Dance Teacher Web the number one online resource for dance teachers and studio owners worldwide.He is Co-Director of the very successful D'Valda and Sirico Dance and Music Center in Fairfield, CT for the past thirty plus years. His students have gone on to very successful careers in dance, music and theater. Originally from Norwalk, Ct, Steve excelled in track and football. He attended the University of Tennessee at Martin on a sports scholarship. Deciding to switch and make his career in the world of dance, he studied initially with Mikki Williams and then in New York with Charles Kelley and Frank Hatchett. He has appeared in a number of theatre productions such as Damn Yankees, Guys and Dolls and Mame in New York and around the country and in industrials and television shows. He was contracted to appear as the lead dancer in the Valerie Peters Special a television show filmed in Tampa, Florida. After meeting Angela DValda during the filming they formed the Adagio act of DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Author of his Jazz Dance syllabus and co-author of a Partner syllabus both of which are used for teacher training by Dance Educators of America, He has also co-authored two books one for dance teachers and one for studio owners in the "It's Your Turn" Book series. He is available for master classes, private business consulting and teacher training development

1580 Post Road Fairfield, CT © Copyright 2022 by DanceTeacherWeb.com