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Managing Recital Mayhem!

Type:

Studio Owner Article

Category:

Self-help and Life Enhancement Tips for the Business Owner

Each year it seems that we start the new semester in September and all of a sudden it's that time again! Recitals or as we call them Student Showcases are an extremely important part of the studio life. An exciting, smooth running performance can not only spread goodwill with your current clients but also greatly add to your ability to publicize your studio to prospective clients. Every studio has their own creative ideas on how to present their dancers.

The one word of advice I could give is to try to keep your performances on the short side. There is an old showbiz saying, "Leave them wanting more! I know that you want to show every class and every parent wants to see their child, but so often I have had people tell me that they have just attended a dance recital that went on for four or five hours and that they didn't stay or that their husbands were bored to tears. We try to put on productions that will show all the dancers but that do not last longer than two hours with intermission. Make it like a professional show.

What are the benefits of doing it this way? First and foremost, no one is bored because the reality is that no matter how much you love dance, no one looks good after too many hours. Most of your audience are not dance aficionados and are primarily coming to see their child on stage, so if you can keep them entertained with the other numbers and they can see the progression their child may be able to take it will definitely help with your enrollment.

The number one thing you need to create is a manual for your recital. Start out with the time of year that you order your costumes to the loading out of your show. By creating this manual it will be a straight forward way for you to keep everyone connected with the production on track. Write a step by step description of everything that is needed in chronological order. Sometimes the most insignificant things can put a spanner in the works if not attended to. So, try not to overlook even the smallest details .Make a checklist of all the people you will need both backstage and in front of house to make your production a success. We do a separate show for our pre-school dancers at the end of each fifteen week session. We have found that it is so much easier and less pressure for the children at a very young age. It is, however, very important to have the dressing area for the younger children in the main shows extremely well staffed by faculty that are used to dealing with this age group. We do not allow any parent backstage unless it is someone who is working in the immediate backstage area and not involved with the preparation part of the dancers. I have been asked many times by studio owners if it is a good idea to use volunteers. In my experience it is generally better to pay someone a small fee to assist, the only exception I have to this is if there is a parent of a child who is on scholarship who can be helpful. College kids who are former students are usually a big help because they have experience with the way you run things plus they can always use the extra money!

Here is a checklist of things that are important to help you have a smooth running performance.

1. Try to order costumes no later than January to receive discounts and make sure they actually arrive in time!

2. Print up a calendar for you, your faculty and front desk staff. Include rehearsal times, Dress rehearsal days and times and performance days and times.

3. Make lists of backstage and front of house helpers. Arrange to have a meeting with them two weeks prior to the event to make sure you are all on the same page.

4. Make list of and order any technical equipment you may need: flooring, lights, special effects etc.

5. Order garment bags with your logo on to give each student their costumes in.

6. Arrange technical crew and people to help load in and out any props.

7. Check with theater to know what available stage lighting they have and decide whether or not you want to supplement it.

8. Arrange to have a TV set up in largest dressing area so students can keep busy backstage and watch each other.

9. Buy coloring books, crayons and books suitable for small children. Very often a few stuffed animals and stickers for good behavior are well received also.

10. Hiring a truck is a good idea if you have a lot of things that need to be transported to and from the studio and theater.

11. Make sure you have at least four healthy, strong young men to do all of the loading in and out so that you are free to direct!

 I am sure you will have your own ideas of what you can incorporate into your checklist. The main idea is for you to have a smooth relaxed recital or show with as little mayhem as possible! Good Luck!

Author

Angela D'Valda Sirico

Angela D'Valda Sirico

Originally from England, Angela spent her early years in Hong Kong where she studied with Carol Bateman. She continued her training at Arts Educational Trust in England. After moving to New York City she continued her studies with Martha Graham and Matt Mattox. She appeared with the Matt Mattox Company and toured with the first Disney On Parade working with Disney and N.B.C. Contracted to the Teatro National of Buenos Aires she performed for one year and spent an additional year as a featured soloist at the Teatro Maipo, Argentina. Travelling to Madrid, Spain she worked for Spanish television in a weekly variety show Tarde Para Todos and from there decided to form her own Dance Company. With the Company she choreographed and performed throughout Spain in theatres, and on television. Angela met her husband Steve while working together on a television special The Valerie Peters Show filmed in Tampa, Florida. In 1979 they formed the Adagio act DValda & Sirico appearing in theatres, clubs and on television shows such as David Letterman, Star Search and the Jerry Lewis Telethon. In 1982 they were contracted to Europe and appeared in a variety of shows in Spain, Portugal, Sweden, Finland, Switzerland and Italy before going to London, England where they appeared as Guest Artists for Wayne Sleep (formerly of the Royal Ballet) in his show Dash at the Dominium Theatre. Angela and Steve have owned and directed their dance studio in Fairfield, CT. for the past twenty two years and in 2005 added music and vocal classes to their curriculum. Angela served as chairperson for the tri state panel of the Royal Academy of Dancing and is Co-author of a Partner syllabus currently used for teacher training by Dance Educators of America. She continues to adjudicate and teach for major dance organizations and choreographs for theatre, television and conventions and was commissioned by Boston Ballet 11 to choreograph the highly acclaimed Brother Can You Spare A Dime? DValda & Sirico are currently in production choreographing the opening to the National Speakers Association convention on Broadway at the Marriott Marquis for August of 2008. Angela is co-owner of Dance Teacher Web designed as an online resource for teachers worldwide.

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