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Introduction to Improvisation Reading List

Type:

Studio Owner Article

Category:

Self-help and Life Enhancement Tips for the Business Owner

Last time in my 'teacher biz' article we deconstructed the essentials for incorporating basic improvisation into your lesson plans and studio curriculum. As previously noted, with the continually increasing interest of improvisation within the private studio sector, this month I'd like to pass my reading list on to you to add to your own dance library! Wonderful resources to have on hand, you can also share with your students and faculty! Think about cross-referencing with other books in related categories including: 

Postmodernism

Post Modern Dance

Judson Dance Theater

Steve Paxton

Contact Improvisation

Nancy Stark Smith

Merce Cunningham

Choreography Composition

Laban Analysis

Bartenieff Fundamentals

Somatics

 Albright, A.C., Gere, D. (2003). Taken by surprise: A dance improvisation reader.  Middletown, CT: Wesleyan Press.

Bayne, S. (1987). Terpsichore in Sneakers: Post-modern dance. Middletown, CT: Wesleyan Press.

Best, S. (1997). The postmodern turn. New York, NY: Guilford Press.

Burt, R. (2006). Judson Dance Theater: Performative traces. New York, NY: Routledge.

Buckwalter, M. (2010). Composing while dancing: An improviser's companion. WI: University of Wisconsin Press.

Foster, S.L. (2002). Dances that Describe Themselves: The improvised choreography of Richard Bull. Middletown, CT: Wesleyan Press.

Franklin, E. (1996).  Dance Imagery for technique and performance. Champaign, IL: Human Kinetics.

Goldman, D. (2010). I want to be ready: Improvised dance as a practice of freedom. MI:  University of Michigan Press.

Kaltenbrunner, (2003). Contact improvisation: Moving, dancing, interaction: With an introduction to new dance, (2nd edition). Switzerland: Meyer & Meyer Verlag.

Minton, S. C. (1986). Choreography: A basic approach using improvisation. Chicago, IL: Human Kinetics.

 

Morgenroth, J. (1987) Dance improvisations. Pittsburgh, PA: University of Pittsburgh Press.

 

Nachmanovitch, S. (1990). Free play: Improvisation in life and art.  New York, NY: Penguin Putnam

 

Novack, C. (1990). Sharing the Dance: Contact Improvisation and American Culture . WI: University of Wisconsin Press.

Reeve, J. (2011).  Dance improvisations: warm-ups, games and choreographic tasks. Champaign, IL: Human Kinetics.

With the abundance of information out there, keep in mind, there are tons of avenues to go when beginning to incorporate improvisation into your lessons! Go slow, take your own classes, become informed of the history and various styles, etc, and impart that knowledge onto your students. This will no doubt substantiate how valid and important improvisation is to dance technique in any idiom. Plus, you will be amazed to see what your students' instincts, bodies and movement vocabulary are naturally capable of! Good luck!

Author

Jessica Rizzo Stafford

Jessica Rizzo Stafford

Jessica Rizzo Stafford is a native New Yorker and graduate of NYU Steinhardt's Dance Education Master’s Program; with a PK-12 New York State Teaching Certification. Her double-concentration Master’s Degree includes PK-12 pedagogy and dance education within the higher-education discipline. She also holds a BFA in dance performance from the UMASS Amherst 5 College Dance Program where she was a Chancellor's Talent Award recipient. Jess now works extensively with children, adolescents and professionals as choreographer and teacher and conducts national and international master-classes specializing in the genres of modern, contemporary, musical theatre and choreography-composition. Jess’ national and international performance career includes works such as: The National Tour of Guys & Dolls, The European Tour of Grease, West Side Story, Cabaret, Sweet Charity, Salute to Dudley Moore at Carnegie Hall, guest-dancer with the World Famous Pontani Sisters and IMPULSE Modern Dance Company. Jess has been a faculty member for the Perichild Program & Peridance Youth Ensemble & taught contemporary and jazz at the historic New Dance Group and 92nd Street Y in NYC. She was Company Director at the historic Steffi Nossen School of Dance/Dance in Education Fund and in 2008 traveled to Uganda where she taught creative-movement to misplaced children. The experience culminated with Jess being selected as a featured instructor at the Queen's Kampala Ballet & Modern Dance School. She has conducted workshops for the cast of LA REVE at the Wynn, Las Vegas and recently taught at the 2011 IDS International Dance Teacher Conference at The Royal Ballet in London, UK. She is also on faculty for the annual Dance Teacher Web Conferences in Las Vegas, NV. Currently, Jess is a faculty member at the D'Valda & Sirico Dance & Music Centre and master teacher & adjudicator for various national and international dance competitions. Recently, she has finished her NYU Master’s thesis research on the choreographic process of technically advanced adolescent dancers and is the creator of “PROJECT C;” a choreography-composition curriculum for the private studio sector. Jess is also faculty member, contributing writer and presenter in the choreography and “how to” teaching segments on the celebrated danceteacherweb.com. For more info, visit her website at www.jrizzo.net.

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